ZEITKANTE

THE PERSON BEHIND THE EDGE

CHRISTIAN POHLER.

Dog trainer. Filmmaker. Graphic designer. Advertising professional. Songwriter. Musician. And someone who apparently never learned to have just one idea at a time.

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01 / MORE THAN ONE BOX

IDEAS ARE RARELY QUIET.

Christian Pohler lives and works in Klagenfurt am Wörthersee, Austria. His work deliberately crosses fields that rarely appear together on one business card: dog training, film, design, advertising, music and digital experiences.

ZEITKANTE grew from that mixture: curiosity, a need to look more closely and a mind in which new projects tend to arrive faster than a normal day can accommodate.

01 / DOGS

Training people for dog questions.

Animal-welfare-oriented dog training, behaviour and the habit of observing before judging.

02 / IMAGE

Film, graphic design and digital spaces.

Stories are not only written. They can be edited, designed, scored, animated and sometimes turned into an experience.

03 / SOUND

Songs, music and words.

Songwriting and music are another way of giving thoughts and emotions a form that can remain after the first moment.

02 / TWO IMPORTANT VOICES

XELA & STAN.

AUSTRALIAN SHEPHERD · 7

Xela-Wie von Bukatwins

Christian has trained Xela in search-and-rescue work since she was eight weeks old, including area search, rubble and avalanche work.

LABRADOR MIX · 13

Stan

Stan brings the perspective of an older dog: experience, calm and a very different kind of lesson.

03 / THE CONVERSATION

20 QUESTIONS.
NO PR ANSWERS.

A conversation about ideas, dogs, music, design, ZEITKANTE and why some minds simply refuse to stop building new paths.

01

You are a dog trainer, advertising professional, graphic designer, filmmaker, songwriter and musician. Can you actually do just one thing without five ideas for something completely different appearing in your head at the same time?

That would be nice … Most of the time, when I am doing one of these things and come across a subject that occupies me, I start thinking about how it could be solved. Then I notice things that could be improved or things that simply do not exist yet. Sometimes I wonder why something was not solved more simply, or what might still be missing.

On the one hand it is a blessing, but quite often it feels like a curse too.

02

When you see something and think, “Why is this actually so complicated?”, what attracts you more: understanding the problem or thinking about it until you find a better solution?

That really depends on the situation. It comes as it comes … I do not have a preference.

03

What makes you restless faster: a bad idea, or a good idea that nobody puts into practice?

What makes me restless is having an idea and, at that moment, no way to write it down or put it into practice straight away.

04

When that happens, does the idea stay in your head until you can record it, or is it a race against time because it might disappear again?

Sometimes the ideas stay. But because so many ideas can virtually explode in my head at once, some of them do disappear. Maybe they return later, maybe they vanish completely. If they do, they probably were not that important.

05

What can people learn from dogs that they often seem to have forgotten with each other?

Dogs are fully present when they are with you, and they show openly what they want. When there is conflict, they calm the situation quickly and do not keep holding it against each other afterwards. We humans can learn a lot from that: make more time for one another, be more honest and find our way back to each other after an argument.

06

If Xela-Wie and Stan could each say one sentence about you, what would they say?

Xela-Wie would say: Where he is, that is my place. And where I am, he is at home.

Stan would say: Do not always be so strict with me. I cannot do it better because I never learned it, but I really am trying!

07

If you could keep only one creative field – film, graphic design, marketing, music or web design – which would you miss most if it disappeared?

Music. I can put my thoughts on paper and express and process things that I sometimes struggle to deal with in everyday life.

08

Is there a song or a line you wrote where you later thought: “I could never have said that in an ordinary conversation”?

Yes, there are several. Some thoughts are easier for me to say in a song than in a normal conversation. Music lets me process things, put feelings into words and sometimes say exactly what I cannot find the right sentences for in everyday life. Which songs? The best answer is: listen for yourself.

HeartVibe Collective

HeartVibe Collective is where exactly those thoughts, feelings and stories get their musical space.

09

You work professionally with dogs, but very often you are really working with the person at the other end of the leash. What still gives you so much joy in dog training?

The dog usually knows exactly what it is doing. My job is to explain to the person what their dog is actually trying to tell them. When the knot finally comes undone for both of them, that is a little highlight for me every time.

10

What has shaped you most in rescue-dog work with Xela-Wie: the precision of the training, the trust between you, or those moments when you realise, “Now we are really working as a team”?

Definitely: Now we are really working as a team.

11

What is a moment when you realise, “This is exactly why I do all of this” – whether in dog training, film, music, design or somewhere else?

Whenever I notice how deeply fulfilled I am by what I am doing.

12

How do you notice that fulfilment first: because you lose track of time, because you do not want to stop, or because afterwards you are left with the feeling, “Yes, that was right”?

It can definitely happen that I lose track of time and suddenly the alarm clock goes off in the morning. laughs

But quite often there is also that feeling afterwards: That was really good exactly as it was.

13

When you think about ZEITKANTE, what should a person ideally take away from a good article: new knowledge, a new question, an “aha” moment, or even the wish to look at something differently?

Ideally, a little of all of that. I do not want someone to finish an article and simply think, Okay, now I know that. I want something to remain. Maybe an “aha” moment, maybe a new question, or the thought: I have never looked at it that way before.

It matters to me that ZEITKANTE does not tell people what to think. People should be able to form their own view. But to do that, they need information, context and sometimes perspectives that a quick headline simply cannot provide.

If someone keeps thinking about an article for a few minutes, talks about it with somebody or even starts researching further, then the article has achieved exactly what I wanted it to.

14

What makes you particularly sceptical about information or media – when does that feeling begin: “Wait, I want to look at this more closely”?

Usually with subjects I know something about or have researched before. But sometimes I simply cannot imagine that something really is the way it is being presented, and then I start digging deeper.

15

Is there a subject where you realised, “The more I know about it, the less I believe in simple answers”?

Yes. The coronavirus pandemic, for example, the war in Ukraine, or political developments and decisions. With subjects like these I have learned how quickly simple answers reach their limits once you start looking more closely.

16

When you see a film, website or design that truly excites you, what does it have to trigger for you to think, “Damn, that is really good”?

It has to grab me immediately. Not because effects are flying everywhere or everything is trying to be loud, but because I can tell that somebody really thought it through. Idea, design, function and details have to belong together.

I like things where the first look already makes you think, Wow, and on the second, third or fourth look you still discover little details. Those details make the difference for me.

On a website I do not want to just click on information. I want to experience something. But usability must never suffer because of that. If I first have to work out how something functions only because it wants to look special, then for me it is already badly solved.

Film and design are similar: they have to create a mood, tell a story or trigger something in me. If I am left thinking, Damn, why did I not think of that myself?, then it was really good.

17

When you design or develop something, when is it really finished for you – or does that point not actually exist?

Unfortunately, I am a perfectionist. There is always something to improve, extend or “perfect”. But I have learned to simply let something be good enough sometimes.

In the past I would probably have changed another ten little things because I noticed one more detail. Today I know that at some point something has to go out into the world. Otherwise perfecting it eventually becomes nothing more than never finishing it.

That does not mean I never touch it again. Quite the opposite. If I notice something later or have a better idea, I keep developing it. For me, many things are never finally finished – they simply reach a point where they are good enough to take the next step.

18

You often have many ideas at once. Is there still something you have wanted to do for years that has repeatedly had to wait?

Yes. I want to buy a camper van and head out into the world – working from anywhere in the world for anywhere in the world. Thankfully, my work makes that possible.

I also want to take my approach to dog training out into the world, especially to places where training methods may not yet be as progressive as the ones we use here.

19

If your 20-year-old self could see you today – dog training, film, music, design, ZEITKANTE and all those projects at once – what do you think he would say?

I became self-employed very early because I had ideas and wanted to bring them into the world. I often chose paths that were not advantageous for me. But all of that had to be part of the journey because I had things to learn – and I am still learning. Everything on your path is your responsibility, your created reality. Everyone is the architect of their reality.

I finally understood that last year. Since then, I consciously decide how I shape my path, take responsibility for it and live what I want to be. Because the architect of his reality does not try – he builds.

20

If you had to reduce everything you have experienced, learned, tried, discarded and begun again to one sentence, what would you tell someone who still lacks the courage to follow their own path?

I do not think I can do that in a single sentence. laughs

Do not wait for the right moment to arrive or for somebody to tell you that you are allowed to begin. If you really want something, start moving. You will make mistakes, take wrong turns and sometimes understand only much later why that path was necessary. That is part of it too.

Take responsibility for your decisions, for your path and for what you make of what happens to you. Stop waiting for something outside you to change before something in your life can change.

Do not be a spectator in your own life. Be its architect. Decide who you want to be – and then embody exactly that.